Due to the vertical layout styles of Webtoons and Taptastic, I have had to redo my double page spreads to fit their structure. In this case I think it worked out quite cool and has added an interesting dynamic to the image. I love the water break and then the panels beneath. Being able to see above and below water at the same time was something I considered early on when thumb nailing this story but I wasn’t sure if it was needed or if I could pull it off. In this case its not as direct but it reiterates visually what you already know (Deep Dive Five is still underwater) and gives a fun transition. I do think I may re-explore this layout and see if I can incorporate this idea.
Having some issues with my site emailing my subscribers when I post a new page. Works fine when I post on the blog. I’m trouble shooting the issue. For the time being I’ll be posting on the blog to help get the word out. Here is a link to the page:
http://www.deepdivefive.com/comic/hold-fast-leviathan-page-9/
I hope you are enjoying the story so far. Thanks for following along!
I spent a while on reformatting pages 6 and 7 so they fit the more prevalent vertical formats of Taptastic and Webtoons. Because I went to a bit of effort I wanted to go ahead and post it here as well. I did the same another upcoming double truck as well. That one (Which is coming in about 3 weeks) I think works even better than the print layout. It has definitly got me rethinking my approach to constructing my pages for the next sorry so I don’t have to spend so much time revisiting pages I’ve already said good bye to.
I stayed up way too late for the Rogue One Trailer last night. It was worth it but I’m feeling it this morning. The good news is I should be wrapping up my script and thumbnails for the next 25 pages today. At one page a week thats 6 months of material… I hope I can get faster. 2 pages a week sounds a lot better. I am definitely trying to figure this whole thing preproduction thing out but its hard for me to grasp how you can write a script without thumbnails. There is no official structure when it comes to writing a script for a comic but figuring out pacing and how much or how little to put on a single page is the the biggest snag for me.
I wrote an outline and a quick script with some arbitrary page and panel structure only to toss 90% of it out when I went back to actually thumb nailing. Releasing a page at a time also imposes its own rules as each page starts to feel like a beat or a lead up to the next page. You can’t leave it with a half thought. That would be jarring and unfair to your web readers but I still feel slave to the final print product. I’m sure its a learned skill and as I start to figure out my style it will become more fluid. Though for now it feels more like molasses than water.
Certainly the one thing I’ve learned this time is just how connected my panel structure is to assisting characters convey their “acting.” While having the different emotional faces and gesture do a lot to communicate intent, I’m finding that nuanced dialogue and emotion is a fairly difficult thing to convey in sequential art. I’m definitely fighting it. The medium gives you the opportunity to crunch and expand time but it can also create unfortunate over magnification of certain moments when all you really want is subtlety. These next 25 pages have a lot of dialogue and allusion to back story that requires an emotional connection to the characters as things get set up. There isn’t enough action and peril to suck in the reader so their interactions have to be straight forward but complex. It may be an all ages comic but I still want it to resonate with my readers. They are investing the most precious of commodities – time.
Thats it for now. Back to the script and thumb nailing. Real work is going to take over next week so hopefully I can get a quick blog post in between projects but a new page will be up on Monday for sure (our first hint at what this mission is about). Thanks for following along!
Just a quick update today. I’m about 7 pages into thumbnails and bit behind my goal of finishing this week. The next story has a bit of world building and character dialogue to help flesh things out and I’ve had some break throughs and realizations of issues that set me back. But that is why you take the time in the first place. This first story is mostly action and set up but I did want it to have ramifications for our main characters.
I managed to create myself a large buffer by creating about 26 weeks worth of material (Thats 6 months at one page a week) while I figure out exactly how many pages I can manage a week and multitask with the necessary story writing days. With the first issue I drew everything, then inked everything and finally colored everything. So gauging how long one page from start to finish takes is a bit difficult. I have the next 50 to 75 pages of story outlined and the next 24 scripted (some pages are more finalized than others). Since I’m doing this in my free time its important to assess how much time it takes so I can manage my schedule. So back to tumbnailing the next adventure! Until next week, cheers!